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King Henry VIII of England (1491-1547)
	Henry VIII is represented as an old man, wearing a jewelled cap and ermine collar, holding a pair of gloves in his hands. His coat of arms inscribed with the motto of the Order of the Garter 'Honi soit qui mal y pense' is in the top left hand corner. Price: £ 229.99 More info: King Henry VIII of England (1491-1547)

A Ship in a Calm Sea
	Shipping is shown on a calm sea. A coastal craft with a red sail is shown on the left, in starboard-broadside view with the starboard leeboard visible and several figures on board. On the right a ship is shown in port-quarter view at anchor, flying the Dutch flag on the stern and mainmast. The stern is ornately carved, with a coat of arms and red lion visible. Price: £ 229.99 More info: A Ship in a Calm Sea

Richard Drake, 1535-1603
	Richard Drake was the business manager and prize agent to his cousin, Sir Francis Drake. He took charge of the Spanish Armada prisoners taken off Plymouth in 1588, which included the Spanish vice-admiral, Don Pedro de Valdes.A half-length portrait to left in black gilded half armour and a plumed hat. His sword hangs from a baldric of gilt chains and to the left his coat of arms has been displayed above a burgonet-type helmet. Price: £ 229.99 More info: Richard Drake, 1535-1603

The Wreck of the 'Amsterdam'
	Ships are shown tossed on the rocks in a high sea during a storm. The ship in the foreground on the right bears the coat of arms of the City of Amsterdam on the stern. She is in danger of sinking in the heavy sea and is shown with her sails tightly furled. Several sailors can be seen clinging to the rigging. Another ship in the foreground on the left has already broken up and others will soon follow. Price: £ 229.99 More info: The Wreck of the 'Amsterdam'

Dock scene at a British Port
	English and Dutch ships taking on stores or cargo at a port. Although the port is probably imaginary, the activities relating to the loading has been closely observed. It has been set in a harbour, with the tower of a gate and a quay visible on the right, and the coast in the distance on the left. An English flagship is on the right, firing a salute and flying the ensign from the stern carved with the royal coat of arms. Beside the quay is an English flyboat that, from her shape, was probably Dutch-built. A royal yacht is arriving on the left and this has prompted the firing of the salute. Price: £ 229.99 More info: Dock scene at a British Port

Joshua Brookes, British anatomist, 1822.
	Engraving by James Fittler after a painting by T Phillips. Brookes (1761-1833) is seated in front of a desk upon which there is an open copy of an anatomical atlas in Greek. A specimen glas stands on a shelf in the background, and a coat of arms and motto are below the print. Brookes was a teacher of anatomy in London, and had been a student of the influential physiologist and surgeon John Hunter (1728-1793). Price: £ 225.00 More info: Joshua Brookes, British anatomist, 1822.

Chronological pictures of English history, c 1866.
	Lithograph headed by two medals with the heads of Queen Victoria (1819-1901) and Prince Albert (1819-1861). Several inter set scenes of contemporary events from the 1840s through to 1866-67 are shown including; the Great Exhibition of 1851, laying Atlantic Cable 1866, the first stone laid of Thames Embankment 1864 and the Arctic expedition: search for Franklin 1848-59. Swags and medals drape acros the images with the coat of arms of United Kingdom beneath. Price: £ 225.00 More info: Chronological pictures of English history, c 1866.

Receipt from Chadburn Brothers, opticians, 1850.
	Engraved receipt head with royal coat of arms, of the Chadburn Brothers of Sheffield, opticians to Prince Albert (1819-1861), consort of Queen Victoria (1819-1901). Price: £ 225.00 More info: Receipt from Chadburn Brothers, opticians, 1850.

Copy of a coat of arms from stained glass, 1839.
	Salted paper print from a photogenic drawing negative by William Henry Fox Talbot (1800-1877). Photogenic drawing was Fox Talbot's name for the results of his first, cameraless photographic process and derived from experiments he began in 1834 but did not announce until 1839. To produce a photogenic drawing Fox Talbot placed objects or leaves on sensitized paper. The areas where sunlight fell became darkened, while covered areas remained light. This resulted in a printed out negative image. Talbot invented the negative/positive process for producing photographs between 1835 and 1839, and for this is widely recognised as the inventor of modern photography. Any number of prints could be made from the same shot by transferring the negative image on to special paper to make a positive print. Price: £ 225.00 More info: Copy of a coat of arms from stained glass, 1839.

Copy of a coat of arms from stained glass, 1839.
	Negative from a photogenic drawing by William Henry Fox Talbot (1800-1877). Photogenic drawing was Fox Talbot's name for the results of his first, cameraless photographic process and derived from experiments he began in 1834 but did not announce until 1839. To produce a photogenic drawing Fox Talbot placed objects or leaves on sensitized paper. The areas where sunlight fell became darkened, while covered areas remained light. This resulted in a printed out negative image. Talbot invented the negative/positive process for producing photographs between 1835 and 1839, and for this is widely recognised as the inventor of modern photography. Any number of prints could be made from the same shot by transferring the negative image on to special paper to make a positive print. Price: £ 225.00 More info: Copy of a coat of arms from stained glass, 1839.

'The effect of a Post Age- An Oliver for a Rowland', c 1840.
	Print satirising the effects of the railways on mail deliveries. The locomotive on the left is named 'George Stephenson' and the smoke it expels reads 'Victoria'. The speed of the locomotive is causing a mail coach, on the right, onto its side. In contrast to the locomotive, the coach carries the coat of arms of George IV, indicating the earlier era in which horse-drawn carriages were the dominant way of delivering mail. At the top of the image a snail is depicted crawling along a telegraph line. Price: £ 225.00 More info: 'The effect of a Post Age- An Oliver for a Rowland', c 1840.

Arm band worn during the evacuation of children in World War II: 20th century
	Armband worn by staff evacuating children during World War Two. It consists of a rectangle of green cotton with two tapes at either end. It is printed with the inscription "L.C.C. / EVAC. IV 365". There is a crowned coat of arms to the left of the inscription. Preparations for the evacuation from 'danger zones' began in 1938. The government order for evacuation was issued on 1 September 1939. In London, all children registered for evacuation gathered at local schools along with their teachers and awaited transport to safe areas. The successful implementation of the evacuation scheme depended on an army of volunteers, and the government urged all women to offer their services to their local council. Price: £ 225.00 More info: Arm band worn during the evacuation of children in World War II: 20th century

Coat of Arms of Mackinnon c.1903
	Photographed from original glass negative. c1903. Photographed in preparation for 'The 18th Century Architecture of Bath' published in 1904. Price: £ 225.00 More info: Coat of Arms of Mackinnon c.1903

Commemorative stoneware spirit flask: 1837
	Commemorative stoneware spirit flask. It features a relief portrait of Queen Victoria in Coronation robes. On the other side is the royal coat of arms in relief. There is an incised inscription on the base with the date 20 July 1837. Manufactured by the Imperial Pottery, Lambeth, and supplied to J. Trigwell, Wine and Spirit Merchants, Bethnal Green. Price: £ 225.00 More info: Commemorative stoneware spirit flask: 1837

Parr Pot; Sudeley Castle Tankard: 16th century
	Parr Pot; Sudeley Castle Tankard. A globular tankard of vetro a fili latticino glass with a silver-gilt lid and foot-ring. The hallmarks are the earliest complete English set known, including all four marks, viz. the date letter for 1546-7, the leopard crowned, the lion passant and the makers mark a fleur-de-lis. The coat of arms enamelled on the lid are those of the Parr family, combining the azure bars of Parr with the sable water bougets of Ross. The influx of precious metal imports and the dispersal of church silver at the Reformation meant that more silver was available for domestic plate. Those unable to afford silver, or wishing to enhance valued pieces of glass of pottery, ordered precious metal mounts.The arms are those of Sir William, Lord Parr of Horton in Northamptonshire, uncle to Queen Catherine, whom he served as Chamberlain until his death in 1546. Recent analysis suggests that the glass is a later, perhaps 18th or 19th century replacement. Price: £ 225.00 More info: Parr Pot; Sudeley Castle Tankard: 16th century

The Cockpit: 1759
	'The Cockpit'. Cock fighting - perhaps at the Royal Cockpit, Birdcage Walk, St James's Park. Two cocks fight in a table-top circular arena surrounded by a six-inch wooden rim. Around the table are benches enclosed by a circular wooden barrier, and behind that is a bare brick wall with the royal coat of arms hanging to the left and to the right a broadsheet depiction of 'Nan Rawlings', a cock breeder known as Deptford Nan, with a cock on her knee. At the benches a melee of animated figures lay bets on the outcome and one, a defaulter on previous debts, has been suspended in a basket as punishment but still offers his watch as a stake: his shadow is cast across the fighting arena. At the table a blind man - Lord Albemarle Bertie, 2nd son of the 2nd Duke of Ancaster - takes bets while a thief filches one of his banknotes. A metal admission token is depicted over the lower border of the design. Price: £ 225.00 More info: The Cockpit: 1759

The Lawyer's Coat of Arms: 18th century
	The Lawyer's Coat of Arms, with motto "Dum Vivo Thrivo" and with verses: "The Golden Fee alone is his delight". Price: £ 225.00 More info: The Lawyer's Coat of Arms: 18th century

Bathensis ecclesiae cath: facies occidentals. Bath Abbey 1655
	Above left: an oval wreath containing the coat of arms of Thomas Bayly. Copper engr. Dugdale and Dodsworth, Monasticon. Daniel King delin et sculp. Price: £ 225.00 More info: Bathensis ecclesiae cath: facies occidentals. Bath Abbey 1655

Bath Abbey, Bathensis ecclesiae cath:facies occidentalis 1655
	Daniel King delin: et sculp. Above left, an oval wreath containing the coat of arms of Thomas Bayly. Inscription in banner: Vetans mori fieri fecit Thom: Bayly S.T.D. Copper-engr. Dugdale and Dodsworth, Monasticon, I, 1655 Price: £ 225.00 More info: Bath Abbey, Bathensis ecclesiae cath:facies occidentalis 1655

Silver medal, the gift of His Royal Highness William, Duke of Cumberland, to Ralph Allen 1752
	To the famous Mr Allen, 4 Dec 1752. And the royal coat of arms. Price: £ 225.00 More info: Silver medal, the gift of His Royal Highness William, Duke of Cumberland, to Ralph Allen 1752

Argyle Street 1979
	South side, corner with Laura Place. Queen Charlottes coat of arms missing. From a collection of slides from the 1950s - 1980s, by Lesley Green-Armytage. Price: £ 225.00 More info: Argyle Street 1979

Argyle Street 1979
	South side, corner with Laura Place. Queen Charlottes coat of arms displayed above. From a collection of slides from the 1950s - 1980s, by Lesley Green-Armytage. Price: £ 225.00 More info: Argyle Street 1979

Beau Street, Bellotts Almshouses. Detail of coat of arms over doorway 1965
	From a collection of slides from the 1950s - 1980s, by Lesley Green-Armytage. Price: £ 225.00 More info: Beau Street, Bellotts Almshouses. Detail of coat of arms over doorway 1965

Bridge Street Victoria Art Gallery coat of arms above the statue of Victoria 1966
	From a collection of slides from the 1950s - 1980s, by Lesley Green-Armytage. Price: £ 225.00 More info: Bridge Street Victoria Art Gallery coat of arms above the statue of Victoria 1966

Northumberland Place arch at east end 1964
	With coat of arms. From a collection of slides from the 1950s - 1980s, by Lesley Green-Armytage. Price: £ 225.00 More info: Northumberland Place arch at east end 1964